 | Come see us at DivaFest in Indianapolis, 5/7-9, 2010 MADWOMEN'S LATE NITE CABARET What do you get when you pair famous and infamous women of history, myth and imagination with classic cabaret songs? An evening of hilarious re-interpretations of great music. Hear Joan of Arc croon, "Smoke Gets in Your Eyes" and Eve belt out "Sometimes I Feel Like a Motherless Child." (Cast of 4 women, 1 man, and 1 pianist) 50 minutes. | | |
 | THUMBELINA Musical Adaptation of the Hans Christian Andersen story with original songs. Minimum forces: 5 actors playing multiple roles (2-3 Women, 2-3 Men). Running time: 50 minutes | | |
THE MASTER CAT OR PUSS IN BOOTS | Musical Adaptation of the Charles Perrault story with original songs to traditional Spanish and French folk tunes. Minimum forces: 8. Running time: 50 minutes | | |
| BRIAR ROSE: THE SLEEPING BEAUTY IN THE WOOD Adaptation of the Charles Perrault (and Brothers Grimm) fairy tale in the style of the British Panto with suggestions for interpolation of pre-existing songs. Minimum forces: 8 plus fairies (6). Running time: 90 minutes. (Also available as a one-act) | | |
RUMPELSTILTSKIN | Adaptation of the traditional fairy tale with elements of British Panto. Minimum forces: 5 actors (1-2 woman, 3-4 men). Running time: 30 minutes | | |
THE BONNIE LASS 
AND THE BLACK WELL FAERIES | A Scottish folktale turned British panto about a lovely young girl’s run-in with the faeries who inhabit the Black Well. Her parents, the traditional comic duo of husband and Dame, help her navigate her trials with the aid of an angelic good fairy who guides the town Vicar who in turn guides the audience in their participation in the story. Available in full-length (90 min) and one-act, small-cast versions. | | |
HABETROT & SCANTILE MAB | The famous spinster sister fairies lend their talents to a poor beautiful girl in need .. . . of a husband. Her impediment to landing a mate? The fact that she has no talent for spinning. Masks are used to heighten the sense of the supernatural n this traditional English fairy story. The absence of a scary villain makes this production perfect for wee ones. | | |
THE ELFIN HILL 
| TEMPORARILY UNAVAILABLE This interdisciplinary faerie tale provides an opportunity for the human audience to play peeping tom at a party hosted by the Elf-King himself. Schubert’s famous song “Der Erlkoenig” sets the tone in company with music by various other classical composers providing the backdrop for an evening of song, dance and story-telling, performed by elfin maidens trying to impress visiting gnomes into marriage. These are old-school trolls and goblins who revel in making mischief and celebrating the dark arts. This show may be too scary for young children. | | |
THE ELVES (AND THE SHOEMAKER) | The well-known story is reinterpreted in the slap-stick comedic musical style of the traditional British pantomime, complete with a dame in the role of the Shoemaker’s wife, and a villainous Landlord who tries to ruin her fun. The Shoemaker himself ensures the audience feels they are integral to the on-stage action, cheering the hero (and heroine), hissing and booing the bad guy, and even doing a little magic. Perfect for Christmastime. Cast of 8. Running time approximately 50 minutes. | | |
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