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| The Elves
(and the Shoemaker)
This classic tale gets a Pantomime twist when a Good Fairy and an evil Landlord join the Shoemaker and his Wife during the strange events leading up to Christmas. Magical shoes that exact revenge on the bad guy add an extra element of fun.
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| Christmas Through the Ages
A short history of Christmas from pre-Christian Rome to today, performed as an immersive travelogue complete with well-known Christmas tunes and some rarely heard gems. With brief yet memorable appearances by the likes of Henry VIII, St. Francis of Assissi and of course, St. Nick it's the perfect kickoff to the holiday season.
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| MADWOMEN'S LATE NITE CABARET What do you get when you pair famous and infamous women of history, myth and imagination with classic cabaret songs? An evening of hilarious re-interpretations of great music. Hear Joan of Arc croon, "Smoke Gets in Your Eyes" and Eve belt out "Sometimes I Feel Like a Motherless Child." (Cast of 4 women, 1 man, and 1 pianist) 50 minutes. |

| TAMLANE, a Ten Minute Tale
A cheeky re-telling of a Scottish Ballad wherein Tamlane must be saved from the Elfin Queen by his true love, Burd Janet. One of two 10 minute scripts chosen for production at DivaFest 2011, Indianapolis.
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 | THUMBELINA Musical Adaptation of the Hans Christian Andersen story with original songs. Minimum forces: 5 actors playing multiple roles (2-3 Women, 2-3 Men). Running time: 50 minutes |

| THE MASTER CAT OR PUSS IN BOOTS Musical Adaptation of the Charles Perrault story with original songs to traditional Spanish and French folk tunes. Minimum forces: 8. Running time: 50 minutes |

| BRIAR ROSE:
THE BEAUTY IN THE SLEEPING WOOD Adaptation of the Charles Perrault (and Brothers Grimm) fairy tale in the style of the British Panto with suggestions for interpolation of pre-existing songs. Minimum forces: 8 plus fairies (6). Running time: 90 minutes. (Also available as a one-act) |
image by Krystn Palmer Photography | RUMPELSTILTSKIN Adaptation of the traditional fairy tale with elements of British Panto. Minimum forces: 5 actors (1-2 woman, 3-4 men). Running time: 30 minutes |

| THE BONNIE LASS
AND THE BLACK WELL FAERIES A Scottish folktale turned British panto about a lovely young girl’s run-in with the faeries who inhabit the Black Well. Her parents, the traditional comic duo of husband and Dame, help her navigate her trials with the aid of an angelic good fairy who guides the town Vicar who in turn guides the audience in their participation in the story. Available in full-length (90 min) and one-act, small-cast versions. |

| HABETROT & SCANTILE MAB The famous spinster sister fairies lend their talents to a poor beautiful girl in need .. . . of a husband. Her impediment to landing a mate? The fact that she has no talent for spinning. The absence of a scary villain makes this traditional English fairy tale perfect for wee ones. |

THE ELVES (AND THE SHOEMAKER) |
The well-known story is reinterpreted in the slap-stick comedic musical
style of the traditional British pantomime, complete with a dame in the
role of the Shoemaker’s wife, and a villainous Landlord who tries to
ruin her fun. The Shoemaker himself ensures the audience feels they are
integral to the on-stage action, cheering the hero (and heroine),
hissing and booing the bad guy, and even doing a little
magic. Perfect for Christmastime. Cast of 8. Running time
approximately 50 minutes. |
THE ELFIN HILL
| TEMPORARILY UNAVAILABLE This
interdisciplinary faerie tale provides an opportunity for the human
audience to play peeping tom at a party hosted by the Elf-King himself.
Schubert’s famous song “Der Erlkoenig” sets the tone in company
with music by various other classical composers providing the backdrop
for an evening of song, dance and story-telling, performed by elfin
maidens trying to impress visiting gnomes into marriage. These are
old-school trolls and goblins who revel in making mischief and
celebrating the dark arts. This show may be too scary for young
children.
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