Julie Lyn Barber, MM.

Soprano, Actor, Teacher
Home
Biography
Contact Us
Site Map
Calendar
Scripts
Productions
Press Releases
Voice Studio
Links
Sound Clips
Ballet Classes
Biography 

Julie Lyn Barber is an avid performer, teacher and theatre artisan. Originally from Ottawa, Ontario, Canada, her career has taken her to a variety of cities throughout the United States and Canada. Her diverse background includes numerous theatrical roles with such companies as Portland Center Stage, Northwest Classical Theater Company and Vancouver B.C.'s Theatre Under the Stars. She has toured with the Portland Opera Association and Oregon's Angeltime Productions, a satirical comedy troupe for whom she also wrote sketches and song parodies.

She has appeared as a soloist with a number of ensembles, including Portland Oregon’s early music ensemble, Trinity Consort, under the direction of Eric Milnes.  She served as Stage Director for Early Music Muncie’s inaugural production of Dido and Aeneas, and the 2008 Bloomington Early Music Festival's educational outreach production about Scarlatti's "Tigrane."  She has performed with guitarist Paul Reilly at the Ball State University Chamber Music Festival and in recitals at High Street United Methodist Church of Muncie, Taylor University, and in Louisville, Kentucky.

In 2008 she was a finalist in the Bel Canto Regional Artist Competition.  She has won many awards for acting and received an Astral Career Grant from the National Association for the Advancement of the Arts to attend the Vancouver Baroque Vocal Institute, where she studied early music performance practice with Ellen Hargis, Ray Nurse, Margret Gries, Doreen Oke and Steven Adby. She wrote an article about her experience there which was published in Classical Singer Magazine, a publication for whom she has since written a number of articles. 

Her recordings include usical Theatre Studio cast recordings, live recordings of concerts, as well as choral and solo work for Oregon Catholic Press.

A much sought-after choral singer, Ms. Barber has sung with numerous church and special event choirs, including Portland‘s Trinity Chamber Choir and Dayton Opera. She has served as conductor for the early music choral ensemble, The Planet Earth Consort, a satellite group of Muncie Indiana's Planet Earth Singers, with whom she served as Assistant Conductor to Dr. Douglas Amman.

Her extensive ballet training contributes to her grace and poise onstage, as well as informing her skills in Baroque dance and physical comedy. It also serves her well in her offstage role as choreographer for musical theatre productions, including Cats, Godspell, Big River, and Nunsense Ah Men!
 
She earned her Master of Music degree in Opera and Music Theater from Southern Illinois University at Carbondale, after studying music in Canada at the University of Western Ontario in London, and the University of British Columbia, Vancouver, earning a Bachelor of Music in Music Education. 

She is the Director Music Ministries at the First Presbyterian Church of Winchester, IN is an Instructor of Voice, Piano and Music History and Conductor of the Adoration Choir at Taylor University in Upland, IN, where she recently music directed the Music and Theatre Departments’ collaborative production of The Secret Garden, and choreographed the Opera, The Bartered Bride.
 
Quotes and Reviews
 

“She possesses a beautiful lyrical voice and sings with intelligence and refinement, as well as a seemingly boundless supply of energy and creativity.” 

 

“Excellent artistry. Excellent presentation. Most attractive stage personality. A pleasure to hear”

 

Barber sports a wide range of musical talents including a wonderful vocal range, but her impish comedic presence. . .ranks among the highlights.              . . .The Oregonian, Jess Crary

 

"The top-gun in the production is Miss Adelaide. Barber’s performance is excellent. 
                         . . .The Times, Kevin P. Murphy
 


"...Barber who plays Maria, is also very impressive and hers may be the most original characterization of the evening. Barber’s Maria is completely credible and entirely innocent. That innocence comes partly from Barber’s sweet, clear soprano which is at home even in her role’s higher registers...And I was deeply moved later by this Maria’s reaction to Tony’s death. The reality of her grief was as painful and undeniable as a blow to the chest."

             . . . The Georgia Straight, Colin Thomas

“a terrific voice and a wide range that filled the theatre completely and didn’t fail to move the audience”
                          . . . The Gazette, Brent Haynes